For our friends who live in countries where YouTube is blocked, watch the session on Vimeo.
1. It's On
3. Try Me Out Sometimes
4. I Don't Really Want To Be Social
5. Record Store
6. I Wanna Put It Where Kurt Put It
7. Bad Impressions
9. Get Off My Reservations
10. Can't Get Past The Lips
Harkening back to punk rock’s glory days of the 70s, Oklahoma outfit Broncho captures the aggression, DIY authenticity and youthful exhilaration of a bygone era and then drags it by the hair into the Here and Now, creating a fresh sound that’s unlike anything being played today. With echoes of The Replacements, Iggy and the Stooges and The Ramones, Broncho’s exuberant ten song debut Can’t Get Past the Lips is a blisteringly cathartic 20 minute flash of gritty, crunching guitar work supported by an assaultive rhythm section and made whole by songwriter Ryan Lindsey’s aggressive, yelping vocal work.
Lindsey’s vocals and guitar are supported by Johnathon Ford (bass), Ben King (guitar) and Nathan Price (drums). The project began as an off-the-cuff recording session for Lindsey (who also plays keys for Starlight Mints, in addition to performing as a solo artist). He quickly laid down early versions “Pick a Fight” and “Losers” with the assistance of King (Cheyenne) and Price (Native Lights), and then sent them to Ford (Unwed Sailor), asking for feedback. Ford loved the songs so much that he suggested they begin playing shows as a band.
“The next thing I knew, Johnathon had a show booked in Tulsa,” Lindsey says.
That first show, a manic, ultra-lean showcase of six songs that clocked in at less than 15 minutes, occurred in February of 2010, since then the band has performed in Chicago, Austin, Dallas, St. Louis, Oklahoma City, Tulsa, etc, and has released their debut album, Can’t Get Past The Lips to international acclaim.
The collective talent and cumulative experience of all involved with Broncho has resulted in an album that, for all its dirty-dishwater punk roots, is a masterwork of garage/pop simplicity. Speaking of the band’s reference points, Lindsey says “We all love the way those records sound so we naturally went in that direction, as far as fidelity goes. But more than anything, it’s the attitude of an era that I wasn’t around for, but feel a connection with. We didn’t set out to recreate a record from that era, we just took on that message and made it our own.”
Or, as Ford puts it: “It’s not nostalgia, it’s natural.”
Visit the band’s website