Star & Micey is an indie/folk pop outfit that has picked up steam in the past year.
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Cheyenne Mize introduced herself internationally on the 10″ release Among the Gold with Bonnie “Prince” Billy – an inventive take on a variety of late 19th century American parlor music.
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The Lonely Wild’s The Sun As It Comes is a record that reflects upon the times in which we live while taking the listener on a sonic journey of heights impressive for our time.
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Timbre is a Nashville based harpist/songwriter who has been enchanting audiences across the world with her unique harp-based folk rock.
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The Great American Canyon Band has a way of making us feel like we’ve been sitting on our asses too long. It has a way of painting a current climate that is nothing like the current climate.
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Paul Kelly has recorded nineteen studio albums as well as several film soundtracks (Lantana and the Cannes 2006 highlight, Jindabyne) and two live albums, in an influential career spanning more than thirty years.
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He’s My Brother, She’s My Sister is like a time warp to the golden present, wrapping nostalgia around the here and now with throwback flair and good taste. They make debauchery and estrangement so glamorous.
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Frontier Ruckus are collagists & memorialists of their world’s dense existential pilings.
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Born in 2004 out of the thriving music scene in Eau Claire, Wisconsin, The Daredevil Christopher Wright unites brothers Jon and Jason Sunde with the percussion and vocals of friend Jesse Edgington. Their first full length album In Deference to a Broken Back, an expansive and collaborative effort, was released through Amble Down Records.
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Going with newly-added and freshly-penned vocals and well-worked songs in arm, The Group Of The Altos took to northern Wisconsin to lay to tape the love, horror, hope and anger and quiet worry in their hearts and on their minds for nearly five years.
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River Whyless are a four-piece folk band that formed in Boone, NC in 2006. They then moved to Asheville where we wrote and recorded our newest album.
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Formed in November of 2010 by the coincidental meeting of Andrew and Brandon, The Appleseed Collective got a jump on the scene through endless networking and connections with the underground current of house-shows, DIY Fests, and localist enthusiasts.
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Riders of the Tide is the full-band followup to Something Obscure, the acclaimed solo premiere of Derek Nelson. Recorded over four days in September at Engine Studios by Neil Strauch (Bonnie Prince Billy, Iron and Wine), and written and arranged by The Musicians, the songs on Riders of the Tide mark a distinct evolution from those heard on its sparse predecessor.
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Pearl and the Beard is three voices, one cello, one guitar, one glockenspiel, one melodica, several drums, ninety-six teeth, and one soul.
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For brothers Todd and Eric Fink of The Giving Tree Band, there is no distinction between playing music and just plain living. Their bodies and instruments become a singularity that is just trying to get in tune, stay in tune, and add a little harmony to the grand symphony of life.
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Joshua James is an American rock and folk musician currently based out of Provo, Utah and Lincoln, Nebraska.
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So now has proved the case with Kenneth Pattengale and Joey Ryan, The Milk Carton Kids: I listen and, try as I might, forget to hear them as distinct collaborators in song and story. Instead, they move to become a single, shadowy persona within the frame of Prologue.
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Pieced together after a series of fateful barroom encounters, Go Long Mule has created a style that is as much cheers and laughter as it is a drunken brawl.
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The Soil & the Sun is corn-fed, Michigan-made New Mexican Space Music, or Experiential Spiritual Folk.
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Nathan Xander takes a bold and reaching step to transform himself from a solo folk singer into a main stage commodity. The rich textures of his voice power through the chords, be it acoustic or electric, and conjure memories of smoke and sawdust.
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